For the purposes of this debate, the 'pay-to-enter' model for immigration to the United States would allow individuals to immigrate to the US if they purchase insurance that covers potential net costs to the state. If the immigrant is a net cost to the state (all levels of government) - i.e., their economic costs (e.g. welfare, healthcare, education) exceed benefits (e.g. taxes paid) - the insurance pays net costs out to the state. If the immigrant is not a net cost, the insurance does not pay out. The pay-to-enter model would replace current US immigration pathways.

For a political party, the individualist platform approach means individual politicians running on their own set of issues and cultivating their own political identity, even when this might clash with others in the party.

In contrast, the unified platform approach means politicians in a party running on a common set of issues, and cultivating a shared party identity instead.

The Michelin Guide is a leading guide for restaurants. Top restaurants can receive up to three Michelin stars for excellence in food, as decided by anonymous inspectors. Since 1997, the guide has also highlighted restaurants offering “exceptionally good food at moderate prices” with the ‘Bib Gourmand’ label. The guide currently covers cities/regions in around 40 countries.

In July 2026, the FCC banned new imports of foreign-produced humanoid and quadruped robots to the US. The restrictions do not affect previously authorized models and robots that are already in use. China controls around 90% of the global humanoid and quadruped robot market. A large portion of US robotics companies and research labs rely on importing robots and humanoid components.

Feminist art history is often described as having two broad approaches.

The recovery model focuses on rediscovering, documenting, and elevating the careers of women artists who were overlooked, undervalued, or erased from the historical record.

The critical model focuses on applying feminist theory to the existing canon, including its most celebrated male artists. It surfaces the misogyny, gendered power dynamics, and ideologies of the male gaze embedded in canonical works and in the institutions that celebrate them. For example, critical model work includes re-readings of artists like Picasso, Degas, or Titian, and analyses of how the concept of “genius” itself has been gendered.